LIN.
YA-CEN LIN
裝置｜Installation art (2022-2020)
《Feed Pan-dada》 2021
《Feed Pan-dada》 2021
不銹鋼/ 現成物件 /石膏 / 吸水樹脂/外送機制
尺寸依場地而定
《Feed Pan-dada》，名字來源於一個外賣平台（Foodpanda），是一座由現成物和石膏手模搭建而成的裝置。 在展期中，藝術家會定期點餐，使送餐員來到展覽現場為這件作品放上飲料。 通過這個行為，重新思考藝術發生的過程與現代社會分工中的複雜系統之間的關係。
《Feed Pan-dada》 2021
Stainless steel/ ready-made objects/plaster/absorbent resin/delivery system
dimensions variable
"Feed Pan-dada"(2021), which name comes from a food delivery platform (Foodpanda), was built with ready-made, and plaster molds of hands. During the course of the exhibition of this work, a food delivery person regularly placed beverages on this work. Through the live action of food delivery, the artwork brought into its process the reality of a complex system of social divisions of labor that exist in the modern world.
《Look The bright side》 2021
《Look The bright side》 2021
木板雷射切割 / Arduino 裝置 /迷迭香植物 / 商品標牌
尺寸依場地而定
現代人跟光相處的時間比以前長多了。
人要看向光明，這段激勵的文字，是作品中的一個線索。
展場空間中瀰漫著機械聲、蒼蠅撞擊箱體的聲音與迷迭香的氣味。
箱內黑色布幕隨著重複的機械聲上下移動，交互著兩段文字「LOOK ON THE BRIGHT SIDE」 看向光明面，「LOOK THERE’S NO BRIGHT SIDE」這裡沒有光明面。
一旁活在人造光源底下的植物，來自大型連鎖家具店，那裡同時販賣著塑膠迷迭香，價格是活體植物的3倍。一盆掛著塑膠盆栽的迷迭香，仍然需要光照與澆灌，強烈的氣味還是無法掩飾自己是廉價活體的事實。
另一旁INSIDE 的箱內除了蒼蠅之外空無一物。
《Look The bright side》 2021
laser cutting wood / Arduino device /Rosemary plant/product tag
dimensions variable
Modern lives stay most times under light.
'' Look on the bright side. '' This motivational sentence is a clue.
The exhibition space is filled with the sound of machinery, the sound of flies hitting the cabinet, and the smell of rosemary.
The black curtains inside the box move up and down with repeated mechanical sounds. The two paragraphs are alternately displaying there. " LOOK ON THE BRIGHT SIDE " " LOOK THERE'S NO BRIGHT SIDE ".
The plant living under the artificial light source comes from a large chain furniture store, where plastic rosemary is also sold. (The price is three times more than the living plant. ) A label that marks it as a plastic object hangs on a pot of rosemary. But it still needs light and water. Moreover, its strong odour could not hide the fact that it is a cheaper living plant.
On the other side, a box that marks the printed word ' inside ' was empty except for flies.
《One square room》2020
《一方空間》2020
依場地而定
水管 / 木作房間
在這件作品中，水管作為連結空間的運輸媒介。
參與者可以選擇進入房間或留在房間外面參與這項作品。
這個一坪房間隔離出一個獨立的私密空間，但是參與者仍然可以通過連接的管線，以搖動、呼氣和傳輸聲音等方式將消息發送到外部。外部信息也可以通過管道發送到房間中。 通過物體互動所引起的連鎖反應，在看似分離的空間中建立出一個交互系統，以連接整個空間。
《One square room》2020
water pipe/plywood
dimensions variable
In this work, water pipes act as a transporting transportation medium that connects the space.
The participant can enter the room or stay outside the room to participate.
Although this one-square room constructs an independent personal space, participants can still send messages to the outside through connected pipes, by shaking, blowing, and transmitting sounds, etc. The external information can also be sent into the room through the pipelines. Through the chain reaction caused by the installation, an interesting interactive system is established in the seemingly separated space, to connecting the entire space.
《Boundary and Extreme》2020
《邊界試探》2020
依場地而定
木作 / Arduino 裝置 / 聲音
圍欄邊界上的階梯是幫助參與者接近和探索邊界的工具。在階梯內我設計了一個Arduino設備，只要有人接近，內部的喇叭就會撥放預先錄製的腳步聲。
腳步聲與前人留下的痕跡塑造出一個懸疑的氣氛，透過這個裝置，藝術家邀請觀眾親身探索自身邊界，感受其寧靜的外觀背後的危機感。
《Boundary and Extreme》2020
dimensions variable
plywood / Arduino device / sound
The diving platform on the border of the fence is a tool to help participants approach and explore the border. There is an Arduino device inside the stairs, and when someone steps on them, they will hear a pre-recorded footstep sound. Combining the functions of sound and diving platform, I invite viewers to experience the tension and sense of crisis behind the serene appearance of the border.