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共同創作|Corporate work
《 Messages from ( ) 》 2020
    合作藝術家 林子傑 feat.  ZI-JIE, LIN

《 Messages from ( ) 》 2020

聲音 / 投影於地面

尺寸依場地而定

這項作品結合了兩個不同的音檔,其中一個是來自兩個外場喇叭撥放出的車流噪音。同時場中心的耳機內播放著變調的孩童歌聲,腳步聲和河水聲。這些聲音是從一處被高架橋覆蓋的區域中收集的。

地上投影的圖像是將五張360全景照片,重新組合成的圓形圖示。這些圖像記錄了該地區不同時間點(2007年至2020年)的樣子,以及高架橋施工前後的對照圖。其圓形的外觀呼應水管的外型,暗示聲音是由水管收錄來的事實。在此藝術家關注的是,現代建設如何影響人們與自然的互動,高架橋的建立使該地區居民與河流的互動有巨大的改變。人們由於噪音和污染而遠離高架橋下的河流,在這項作品中,藝術家邀請參與者戴上耳機聆聽,通過聽覺與視覺去探索、拼貼,以一個新的視角來重建我們與環境的關係。

《 Messages from ( ) 》 2020

sounds, images projection on the floor

Dimensions variable

Modern lives stay most times under light.

'' Look on the bright side. '' This motivational sentence is a clue. 

The exhibition space is filled with the sound of machinery, the sound of flies hitting the cabinet, and the smell of rosemary.

The black curtains inside the box move up and down with repeated mechanical sounds. The two paragraphs are alternately displaying there. " LOOK ON THE BRIGHT SIDE " " LOOK THERE'S NO BRIGHT SIDE ".

The plant living under the artificial light source comes from a large chain furniture store, where plastic rosemary is also sold. (The price is three times more than the living plant. ) A label that marks it as a plastic object hangs on a pot of rosemary. But it still needs light and water. Moreover, its strong odour could not hide the fact that it is a cheaper living plant.

On the other side, a box that marks the printed word ' inside ' was empty except for flies.

《Action / Body / Experiment》2020

《身體實驗場》2020

表演

​30min

參與者通過一個印有0.1字符的拉門進入表演區域,進入屏幕後面的世界。 在這場表演中,屏幕始終處於“藍屏”的系統錯誤狀態。

7位表演者皆被賦予一個指令(附圖:指令表)與活動的空間。在表演中,若觀眾試圖與他們接觸,不會獲得任何回應,因為他們只執行被賦予的任務,如同機械元件般的運動著。

在這場演出中,我們將空間分為上、中、下與投影中的另一個網域空間,目的是為了讓各個角落都被觸及到,空間中的各處都有事件正在發生著。表演者在投影機投射的藍屏和預先製作的音樂下在空間中遊蕩,製造脫離現實的感受。 現實和虛擬僅由屏幕分開,而其中的界線將越來越模糊。 當一天系統出現錯誤時,我們如何在錯誤狀態中生活?

 

《Action / Body / Experiment》2020

Performance

30min

Participants entered the acting area through a sliding door covered with 0 and 1s, entering the world behind the screen. In this performance, the screen is always in a “blue screen error” state.

Every performer was given instruction and their positions. When the participants tried to contact the performers, the performers won't respond because they only did the works that the operator commanded.

The performers roam unconsciously in the space, with the blue screencast by the projector and pre-produced music, creating a break from the real world. The reality and the virtual are only separated by the screen. When one day there is an error in the system, how do we live in the blue state?

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